I might have trouble squeezing five hundred words out of Misery. It’s a fine novel, but when I do these reviews I always look for an interesting angle, maybe a funny story or anecdote, and nothing comes to mind here…
Okay, just thought of something.
Rereading Misery reminded me of seeing the movie Coraline. I had the day off from work because it was President’s Day, so I went to a matinee. I forgot that all the schools were off, also, and thus watched the movie with a theatre full of scared kids. The kids were scared because Coraline isn’t a kids’ movie. It’s a horror movie disguised as a kid’s movie.
The other thing that struck me about Coraline is that the main character, Coraline, wasn’t a nice kid. After watching the movie, I realized there’s no way a nice kid would have survived The Other Mother.
The selfsame thing struck me upon rereading Misery. Paul Sheldon isn’t a nice man. In fact, Paul Sheldon is a prick. King doesn’t make a big deal out of the fact that Paul Sheldon has no friends and can’t maintain a relationship with a woman, but it’s there. Paul Sheldon thinks he’s smarter than everyone else. It’s even hinted that Paul Sheldon might be a tad misogynistic.
Be that as it may, a nice guy wouldn’t survive what Annie Wilkes puts Paul Sheldon through; also, if I’m being honest, the fact that Paul Sheldon is not a nice guy made me sort of enjoy what Annie Wilkes put him through, at least at the beginning. I started feeling sorry for Paul when Annie chopped his foot off, but parts of that scene still made me laugh. Pre-op shot? Did she just say pre-op shot?
Speaking of laughter…Misery is a lot funnier than I remember. This book is a blast. I laughed a lot reading this novel. Annie is funny as hell and Paul is a dour prick. Annie says things like cock-a-doodie and brat and she spends four hundred pages emasculating Paul, hooking Paul on drugs, chopping off Paul’s body parts and making Paul resurrect Misery, the character he hates and she loves so much she named her pig after her. The fact that Annie scrawls out all the f-words on Paul’s shitty manuscript and then makes him burn it was hysterical. Serves you right for not making a copy, dumbass!
Hey: did you notice that Misery is like a play in that most of the action takes place in a single room?
I thought King did a good job making Annie’s craziness seem realistic. Linking her moods to the weather is a great touch. I will say that the birthday cake thumb scene was a bridge too far for me. His editor should have made him cut that out, because that scene moves into gore-gore land and is dangerously close to self-parody.
One of the most brilliant things King does in Misery is flip the genders. This isn’t true to real life, but Misery is a horror novel, and 95% of King’s contemporaries wouldn’t have been able to come up with such a simple idea and then execute it in such a seemingly effortless way. That’s why Stephen King is Stephen King – he makes it look easy!
2 Replies to “Misery”
I also thought this would translate well to stage because it does essentially take place in a single room. You bring up a great point about Paul’s character, which is that he’s an asshole. Like you said, I think this helps make the book a little more digestible at first and is almost necessary in order for him to survive.
I agree that Sheldon wasn’t a nice guy so Annie happening to him wasn’t too upsetting. Although no one but murderers deserve that kind of treatment, in fact, they deserve worse. Like riding a lawnmower over their bodies.