Three stories from H.P. Lovecraft: Pickman’s Model, The Outsider and The Call of Cthulhu

I first read Lovecraft when I was eight years old, where I learned exciting new words like gibbous, eldritch and tentacles. This morning, upon rereading The Call of Cthulhu, I discovered another new word: vigintillion. As in, it happened a vigintillion years ago. I’m always learning!

Lovecraft has made an indelible mark on popular culture. He is also a controversial figure. If you don’t know why and are interested, Googling Lovecraft WFA is a good place to start. Deconstructing Lovecraft has become a popular pastime nowadays. Victor LaValle wrote a short novel called The Ballad of Black Tom, based on the Lovecraft short story The Horror at Red Hook. Matt Ruff wrote a novel called Lovecraft Country. Both books are worth reading.

There’s no question that Lovecraft was a groundbreaking science fiction writer. The names of his entities are jaw-breakers (Nyarlathotep! Cthulhu!), but he avoids science fiction jargon like vidscreen and medbot and most of his stories take place on Earth. Some of his best works – The Color out of Space and At the Mountains of Madness come to mind –  are grounded in the real world.

On the flip side, Lovecraft’s writing style is overly ornate and wordy. His stories contain almost no dialogue. I never found his horror fiction scary because I never connected with his characters, who have nothing going on below the waist and are seemingly always teetering on the brink of madness. At his worst, Lovecraft is prone to hyperbole; his unimaginable horrors are pretty imaginable.

I reread the three stories for the assignment this morning. Pickman’s Model was my favorite of the trio. This is a story with a creepy vibe and an interesting setting. I like the fact that Lovecraft mentions artists of that time period; Pickman’s final painting is straight out of Goya. The final twist isn’t much of a twist, but it’s decently done.

Pickman’s Model also illustrates one of the themes that runs through Lovecraft’s work: fear of the other. Lovecraft is very specific about who the other is; besides monsters with incomprehensible names, he seems to believe that human evil has its origins in poor genetics based along racial lines. This is a staple of the eugenics movement. Although most people think Nazi Germany when they hear eugenics, it is worth noting that a number of states in this country used to have forced sterilization programs.

The Outsider encapsulates and internalizes Fear of the Other. This is the short story one is most likely to encounter in horror anthologies that don’t specialize in Lovecraft. It is short, and although overly wordy, has a nice twist ending that may seem commonplace to readers of today. I learned another new word in this story: nepenthe!

The Call of Cthulhu is a mess. Bloated and overlong, it reads like it’s been cut and pasted together. Cthulhu is powerful enough to destroy worlds but is foiled when a steam yacht rams him. I had difficulty reading this all the way through. It is ironic that Cthulhu is the monster most people remember Lovecraft for, when he wrote much better stories.

A final note: Lovecraft corresponded with many people during the course of his life, so his personal views are no secret. Although he was not the only speculative fiction author of those times to hold problematic views, Lovecraft’s attitudes informed his fiction. I wasn’t sure if I should include this in my review. Over the years I have read and enjoyed many of Lovecraft’s stories and when I learned of his personal beliefs it made me stop and reassess his works, which I believe is a good thing. I think we as writers can learn things from Lovecraft, but at this point I do have difficulty separating the writer from the person. For better or worse, this review reflects that.

3 Replies to “Three stories from H.P. Lovecraft: Pickman’s Model, The Outsider and The Call of Cthulhu”

  1. George,

    I could not get into Lovecraft. The racist overtone in The Call of Cthulhu made me want to throw something worst than when we read Clive Barkers Rawhead Rex. I could not get past how everyone else was beneath him. The narrators in all three stories to me seemed unreliable and you are right I could not get into the story with them. I had some home for The Outsiders but the story seemed to get away from him.

  2. I was surprised that The Call of Cthulhu ended up being my least favorite of all the works too. When people think about Lovecraft it’s usually the Cthulhu mythos that is referenced. But yeah, that story was a mess. It can be hard to read the writings of older writers sometimes, especially when they inserted their opinions in their work. In a way reading Lovecraft for me is the same as reading Raymond Chandler. There’s definitely something of merit in their work, but the portrayal of minorities is definitely something that makes modern audiences cringe.

  3. Hi George,

    I think I am glad I don’t have much experience with the horror authors, nor do I both looking at author’s personal views as you point out it definitely makes you look at work in a different light. I don’t’ honestly know if that is a good thing or not, but I think for me, I’d rather not know. In this way, I see what I see, without preconceived (even if correct) ideas of the author’s intentions or worldviews.

    Regardless, Lovecraft’s stories this week were slow reads, and certainly assign much of that issue to the style and writing of his day. The older writings are very difficult for me to stay focused on even whent they are stories I love. What I did enjoy about Lovecraft’s stories were the monsters. They are monsters that I am always drawn to as a reader and a writer, so those were interesting. I did not enjoy the letter writing style used in Pickman, but I agree that was likely the most enjoyable story of the three.

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