Dark Water is a Japanese movie based on the novel written by Koji Suzuki and directed by Hideo Nakata, creators of The Ring. There are two movies titled Dark Water, the original and a remake starring Jennifer Connelly. This is a review of the original movie, which is available on Amazon Prime.
The plot: Yoshimi moves into a creepy apartment complex with her six-year old daughter Ikuko. Soon strange things start happening: a little red book bag that keeps coming back, the spreading stain on the ceiling, glimpses of a little girl dressed in a yellow raincoat. The little girl doesn’t seem to like Ikuko, who is drawn to the water tower on the roof (water is a recurring theme in this movie). How far will Yoshimi go to protect her daughter?
There are a few things left unsaid: Yoshimi is fragile, maybe suicidal. She has no money and is in a nasty custody battle with her ex-husband. There’s no question of the reality of what happens here, but the events that occur in Dark Water mirror Yoshimi’s downward spiral, which is the best type of horror. Yoshimi does some stupid things in this movie, but when your life falls apart that will happen. She’s holding on by tips of her fingernails, so she clings to Ikuko, but she also resents her daughter. It’s no coincidence that the monster of Dark Water is a child who wants love.
Dark Water has lots of good jump scares, but that’s not the point. This movie reminds me of a tragedy in a L.A hotel involving a water tower. There was footage of a girl in an elevator, which I’m not going to link to, because it’s easy enough to find on YouTube. People seem to think the video is spooky and that the woman is talking to ghosts, when what we’re really seeing is a person in the midst of a breakdown.
You know you’ve watched a special movie when there’s a disclaimer at the end saying: no rats were eaten during the course of this film. Grave Encounters isn’t the best haunted insane asylum movie I’ve seen – that would be Session 9 – but it is fun, especially if you like found-footage.
Grave Encounters does not break any new ground. The cast and crew of paranormal reality show Grave Encounters spend the night in the Collingswood Psychiatric Hospital. They set up cameras to record spooky footage and talk to people about how the abandoned hospital is haunted. When the groundskeeper locks them in for the evening they are never seen again…until the footage of their Night From Hell ™ is found by the authorities.
One of the best things about Grave Encounters is how the characters are in on the joke. The Fourth Wall stays intact, but the cast and crew are engaged in the act of creating fiction. Lance and co-host Sasha don’t believe in the supernatural, so they’re just making shit up as they go. Lance slips the landscaper a twenty to say he’s seen a ghost. His actor friend Houston Gray does a schmaltzy psychic act. T.C. and Matt are the crew.
The problem is that Collingswood really is haunted. Wheelchairs move. An invisible entity pushes T.C. down the stairs. Invisible fingers play with Sasha’s hair. Matt the camera guy vanishes. When the groundskeeper doesn’t let our heroes out in the morning they break open the door and find endless miles of corridors. Soon afterwards, the ghosts start to manifest physically, and that’s when the real jump scares start.
Grave Encounters does a fine job of poking fun at found-footage tropes. None of the characters believe in the supernatural. The interviewees are awkward, with one guy asking where he should look while another curses on-camera. A bored Matt and T.C. toss a football back and forth. The words Death Awaits are spray-painted on the entranceway and instead of being scared, everyone laughs and thinks it’s hokey.
An American horror movie that came out in 2012, The Pact is yet another recommendation of English horror novelist Adam Nevill. The link to the article is here. I watched The Pact for free on Netflix streaming.
The plot: when Annie and Nicole’s mother passes, the sisters must reconcile their differences in order to solve dear ole Ma’s murder. No wait, that’s a Lifetime movie. In this movie Nicole disappears in her mother’s house in the first ten minutes. Annie, who hates her mother and the house she grew up in, nevertheless shows up on her motorcycle. Annie isn’t too concerned about Nicole’s disappearing act because she’s pulled this crap before, even though this time she left behind her little girl.
Staying in her mom’s creepy house, Annie starts hearing and seeing weird shit, ending with her being attacked by an invisible entity and her cousin Liz disappearing. Annie, showing great strength of character, goes back into the house to retrieve Nicole’s daughter Eva when she hears her crying. However, this ghost isn’t a quitter; it simply follows Annie to her hotel.
Determined to find out what happened to her sister and cousin, Annie doesn’t give up either. Plot abounds: a headless ghost, a hidden nook in dear ole’ Ma’s house with peepholes to every room in the house. Soon Annie discovers ghosts are the least of her problems…
If The Pact were a shitty movie, I’d say that the house’s wallpaper was the scariest thing about it. While it is true that dear old Ma’s house oozes creepiness, this isn’t a shitty movie. It’s a solid entry with plenty of jump scares. The Pact has lots of thriller/haunted house tropes: the good-looking cop, the ghost, the serial killer, the freaky looking psychic, but they never veer into cliché. The elements all blend, creating a movie that’s spooky as hell. Oh yeah, I also like the fact that they don’t explain the title; if you’re paying attention, it’s obvious. Recommended.
I’ve seen hundreds of bad horror movies in my life, and I’m willing to bet you’ve never heard of most of them. After awhile movies like Dead Girls (girl-band murdered by a psycho), Highway to Hell (pizza delivery boy vs. Hellcop), Syngenor (Syngenor!) and Satan’s Princess (the title says it all) take their toll. Unfortunately, most bad horror movies aren’t scary or even funny. They’re just dull. I’m sorry to report that Rabid Grannies isn’t as good as it sounds; the guys at MST3K wouldn’t touch this direct-to-video crap.
But once in awhile a very, very special movie comes along.
The Conjuring is the Disney Haunted Mansion of horror movies. It takes all the beats, tropes and dumb clichés of the genre, creepy dolls, possessed mommies, kids talking to their invisible friends, things that go bump in the night, stupid people who descend into the basement saying ‘who’s there?,’ and rolls them into an overstuffed Greatest Hits version of a haunted house movie.
The plot: if you’ve seen The Amityville Horror or any other haunted house movie, you know the plot. The Perron family, mom, dad and five (!) daughters, move into their new house, only to discover it’s haunted. They ask acclaimed (?) demonologists Ed and Lorraine Warren to help rid them of evil spirit Bathsheba.
The point when I knew I was watching a very special movie came when one of the older kids – it’s hard to tell them apart, because the writers never bother giving them actual personalities – is awoken by her sleepwalking sister trying to walk into the standing wardrobe. When the cranky teen goes to help her sister we pan up to see Bathsheba, looking like Linda Blair on a bad hair day, crouching atop the wardrobe, whereupon she leaps upon the dumbstruck teen with a great shriek.
((A side-note: Bathsheba must have been one happy spirit. She has FIVE kids and their hapless Mom to torment, an embarrassment of riches.))
The Conjuring is set in the 70’s. Ed sports a pair of rockin’ sideburns and Lorraine favors big collars. Indeed, the movie is full of 70’s touches. There are station wagons, VW bugs, even a Brady Bunch episode. The attitudes are delightfully retro. When Mrs. Perron mentions their frantic dog outside, chained to a tree, Mr. Perron waves it off, saying something like ‘the dog will be fine (Spoiler: the dog isn’t fine).’ Today the pooch would have his own air-conditioned doghouse. In other ways The Conjuring falls down on the job. If you watch any 70’s flick, you will know that all the characters smoke like chimneys.
I am not going to get into whether the Warrens were hucksters, but will note that The Conjuring is based on the True Case Files of the Warrens. Fair enough. There are those who say Godzilla’s based on a true story, also. The Warrens ARE bad parents, keeping a treasure trove of demon-infested relics in their study. At one point Ed finds his young daughter wandering around the study and mildly scolds her.
((Side-note #2: it would be remiss to not mention the presence of Annabelle, the Creepy Doll From Hell Who Should Have Her Own Movie, in The Conjuring. I must confess that I think haunted dolls are way overrated. Annabelle is creepy, yes, but I bet I could kick a five-pound doll’s ass.))
Nobody in The Conjuring has much of a personality. Ed’s concern for his wife is cute, but he’s such a pushover we know he’ll just roll over whenever he tries to put his foot down. The Perrons are so full of domestic bliss that it’s almost a relief when Bathsheba starts her antics. At one point Mrs. Perron asks her husband if he feels up to christening the house, i.e. fucking, and my high hopes were immediately crushed by a cute domestic scene.
((Side-note #3: you have to wonder about Mr. and Mrs. Perron’s family planning skills. At first I figured they were good Catholics. Makes sense, since they have five kids, but it turns out they never got around to baptizing those kids, which doesn’t sound very Catholic to me. Maybe they’re the type of people who drift through life hoping things will turn out okay. Please note that these are the type of people who end up in haunted-house movies.))
The Conjuring has two direct inspirations: Poltergeist (the original) and the TV series Friday the 13th, about three dumb jackasses trying to retrieve an antique store full of cursed items. The monkey doll and staticky TV are direct shout-outs. Bottom line: The Conjuring is well-made, but it most definitely is not a good movie. Four out of the five flicks I’ve seen so far are better. But, honestly, I will remember this movie when the others are dim memories. The Conjuring is a true rarity, a good bad movie, and I can’t wait to see the sequel. Highly recommended!