The Haunting of Hill House

The Haunting of Hill House is the greatest haunted house novel of the 20thcentury. You can make a case for Stephen King’s The Shining, of course, but Shirley Jackson’s book came first. Another contender is Burnt Offerings, by Robert Marasco, which shares The Haunting of Hill House’s nasty sense of humor but isn’t read much anymore. I’ll get into Richard Matheson’s Hell House in another post, but suffice it to say that I’d take The Amityville Horror over Hell House any day of the week.

I read the Penguin version of The Haunting of Hill House. I also read the introduction, wherein Eleanor (the book’s protagonist) is referred to as odd. The author of this introduction misses the point. Eleanor is a parody of a gothic heroine, a cloistered young woman who has spent her entire adult life caring for her ailing mother. Unlike a gothic heroine, Eleanor is realistic. She possesses rudimentary social skills and an active fantasy life, which she’s developed as a self-defense mechanism in order to cope with her awful life.

I am not being sarcastic here. I sympathized with Eleanor, who has lost years of her life caring for an unpleasant old woman. Ms. Jackson’s portrait of the family unit is refreshingly unsentimental, but not in an overt way. Too many writers tend to hammer that sort of thing home with all the subtlety of a sledgehammer, whereas the damage Eleanor’s mother has done to her daughter is psychological and thus permanent. There are echoes of Eleanor’s mother throughout this book, which is jam-packed with unpleasant people, from Eleanor’s sister to the woman who says she’ll pray for Eleanor to the Dudleys to – you get the idea. The Haunting of Hill Houseis full of petty, mean people.

What struck me on this reread is that The Haunting of Hill House is a parody of a gothic novel, right down to the walled-in nun and the sturdy tower piercing the sky. Except it isn’t really a gothic novel. A gothic heroine would be rescued by a handsome suitor, but the only suitor Eleanor has is Hill House. What makes this book so sad is that in the end Hill House is the only thing on earth that does want Eleanor.

The Haunting of Hill House’s middle drags a little, but the ending – which is inevitable – delivers. The book drags in places because Eleanor doesn’t have a desire line, as such, but her stakes are high. She’s spent her entire adult life caring for her mother and she wants a life for herself. Luke is a parody of a gothic hero. He and Theodora are having an affair, which explains why Theodora stays. What do you think Mrs. Dudley and Mrs. Montague are referring to when they’re talking in the kitchen? By the way, Mrs. Montague’s approach to the occult is a lot more sensible than her husband’s. I will note that Mrs. Montague goes to the trouble of calling Eleanor’s sister. She also suggests that Arthur drive Eleanor home two or three times, an act of kindness that Eleanor’s companions – who only want to get rid of her – lack. After all, they all have their lives to go back to. Of course, if one believes in Hell, they’ll be in trouble…

Unlike Mr. Matheson, Ms. Jackson resists the urge to explain her ghosts. She understands that the power of ghosts lies in the fact that you can’t explain them. Anyway, I’ve read this book before and after rereading it I still like it. I thought it might be fun to keep a running tally of how many of the books I liked vs. what I didn’t like this semester. So here it is!

LIKED: 1, DIDN’T LIKE: 0.

Tourist Trap

I saw Tourist Trap on Joe Bob’s Last Drive-In, a twenty-four hour movie marathon that I highly recommend. Tourist Trap is a weird movie that borrows its look from Tobe Hooper’s Texas Chainsaw Massacre, but without that movie’s fabled grit.

No, Tourist Trap has a bizarre vibe all its own. It stars Chuck Connors and Tanya Roberts along with a group of attractive roadkill – er, I mean youths. Seeing Tanya Roberts before she became famous is a real eye opener, sort of like watching Jennifer Aniston in Leprechaun, the best movie you’ll ever see about a homicidal leprechaun.

The plot: six young people get stranded at a roadside wax museum run by friendly weirdo Chuck Connors. Unfortunately, Chuck’s crazy telekinetic brother isn’t as friendly and the attractive youths get picked off one by one. I will say that the killer wears some pretty freaky masks. Our youthful revelers dress in cut-offs and t-shirts, but the final girl wears a white dress paired with a white sunbonnet and looks like she’s going to church. The subtext, it burns my eyes!

Tourist Trap gets an A-plus for its creative use of mannequins. Chuck’s house used to be a roadside wax museum, and Chuck’s wacky brother uses his telekinetic powers to animate those mannequins – at points, he goes way beyond animating the mannequins. He thinks the final girl looks like his dead wife, even though she looks nothing like her, but he’s crazy so we should cut him some slack.

Tourist Trap sure isn’t boring. I don’t know if it deserves the title of a cult classic, but it doesn’t deserve to be forgotten. It’s well-made and it has a bizarre vibe that I liked. If possible, watch Tourist Trap on Joe Bob’s Drive-In, as his commentary will add to your movie-going experience!

The Sculptor

The Sculptor reminded me of the work of James Patterson, one of the most successful authors of the past twenty years. I’ve enjoyed reading a few of the authors Mr. Patterson has worked with. For instance, Michael Koryta’s The Ridge is a great, spooky read. If you like James Patterson, give The Sculptor a try. It’s a fast-paced mystery/thriller with plenty of action and romance.

Spoilers ahead.

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Okay, here’s my unvarnished opinion. I did not like The Sculptor, but I see that the author is a contemporary, as it were. Robert Bloch has passed away. Stephen Dobyns is off teaching and Bret Easton Ellis is off being Bret Easton Ellis. A bad review doesn’t mean anything to them. In addition, there are many people who enjoy books like The Sculptor, which are often quite successful. I myself used to read forty to fifty mysteries per year. My tastes changed, as you will see by reading this review.

The Sculptor reminded me of a movie called Blood and Black Lace, a famous giallo by Italian filmmaker Mario Bava. I did not appreciate Blood and Black Lace on my first watch because all the characters were incredibly shallow and the movie’s look and music reminded me of an episode of Charlie’s Angels. Later, I realized how influential Mr. Bava must have been to have so many directors imitate him (this movie came out in 1964). I also realized that the characters were incredibly shallow on purpose; indeed, they worked in an amoral field that almost required it.

The Sculptor has no such excuse. Saddled with unrealistic characters, multiple inconsistencies and a cliched plot, this book reminded me of a bad TV movie. It wouldn’t be a Lifetime movie, because Lifetime movies can often be quite gritty. Maybe a movie of the week?

The Sculptor’s problems can be narrowed down to three issues, believability, predictability and agency. This book has multiple believability issues – how did the Sculptor get in and out of prison to cut off and make a sculpture of Stanky’s penis? Did Stanky wear a full-body hazmat suit when having sex with the Aussie woman? Why did the college’s housing department make Jesse and Mara roommates? A serial killer is preying upon exchange students, but apparently that’s not a big deal because it’s business as usual. The grad students like to drink and carouse – wait, that part’s realistic. College students love to party.

The characters are – look, real cops don’t act like Enzo. Good-looking guys like Jesse aren’t secretly vulnerable. ‘Secretly vulnerable’ is a bad pick-up line, replacing ‘I used to work for the CIA.’ The only character I liked was Stanky, mostly because of his magnificent nickname. He also does a great job of cock-blocking Jesse. When your readers start pulling for the villain, your book has problems.

Second, predictability. There isn’t any suspense. I knew Mara wouldn’t be in any real danger until the book was almost over because the author isn’t going to maybe kill off her heroine until the final act. I knew Mara and Jesse’s relationship would have its share of bumps, because that’s what the plot requires. These plot requirements aren’t bad things, mind you, but it’s the author’s job to make the reader lose herself in the book and not think about such things.

My biggest problem with The Sculptor is agency. Mara has no agency; the killer does. To put it another way: it is the killer, and not Mara, who drives the plot. Many movies and books are structured like this, but at this point in my life I don’t read those books or watch those movies anymore.

 

Book review! Y: The Last Man, Unmanned

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This graphic novel is about a plague that kills every man on Earth, minus one. Yorick has just graduated from college, and he’s wondering what to do with his life now that he’s all big and growed up. Before the plague hits, he’s in the process of digesting the fact that his English degree qualifies him to work at a bookstore. Yorick is proposing to his girlfriend over the phone when every man on Earth dies. Here are the possible causes of the plague:

1. The Amulet of Helene, a mystic item of great power, is shanghaied from its homeland. Every man on Earth is killed as reprisal. Source: The Book of Exodus, The Bible.
2. Dr. Mann creates a clone of herself. When she gives birth to said clone (a baby boy) it triggers a chain reaction that wipes out all men.
3. A biological weapon of mass destruction created by some government (take your pick) that is accidentally unleashed on the world. Source: The Stand.
4. Yorick is dreaming; making the entire story up (he is an English major); or hallucinating as he lies dying. Source: St. Elsewhere.
5. Yorick’s monkey is a test animal (note that it doesn’t like needles), rescued by animal rights activists from the lab where the virus was created. Because of the experiments the monkey is immune to the plague and he passes that immunity on to Yorick (probably by biting him).
6. Yorick has godlike powers. When his girlfriend dumps him over the phone (we don’t hear the end of their conversation) he kills every male on the planet in a fit of pique. Source: The Twilight Zone.

Whatever. Yorick is the last guy on Earth, and he’s got Amazons and government agents running after him. He decides to go to Australia to find his girlfriend. Joining him are Agent 355, a mysterious government agent; and Dr. Mann, the doctor who created the clone. Great start to a series; highly recommended.

Book review! Bat-Manga: The Secret History of Batman in Japan

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The stories in this volume are entertaining and trot along at a nice clip. The stories are a sci-fi/superhero hybrid, similiar to the campy Batman stories of the 50’s and 60’s and the Adam West television show. Not exactly realistic, but who cares? I like the villains, whose ranks include a super-intelligent gorilla and manga versions of Clay Face and Two Face. My favorite is ‘Lord Death Man,’ who uses the power of yoga to cheat death!

My only complaint is that some of the stories end in cliffhangers and are not continued; other stories start in the second chapter. This is somewhat annoying, and I’m not sure what the designers of the book were thinking. The book looks nice and all, but I’m in it for the stories not the design of the book!

Bottom line: If they ever release more Bat-Manga I will read it.

Book review! Legacy of Ashes: The History of the CIA

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Legacy of Ashes is founded on three premises.

1. The CIA is incompetent. The author gathers plenty of ammo to back this one up, to the point of downplaying the agency’s successes and highlighting its failures. He still makes a compelling argument that the CIA’s track record isn’t good.
2. The CIA’s dual functions – gathering intelligence and covert operations – are fundamentally at odds with each other. This is obvious. Covert operations thrive on secrecy, not openness. On a more practical level, if you try to gather accurate information and disseminate disinformation at the same time you will invariably get the two confused. This is the best argument in the book; the author should have focused on this one more.
3. An organization like the CIA can not be truly effective in a democracy. The author does not say this, but it’s what he thinks. He  states it differently, more like: an organization like the CIA has no place in a democracy.

Legacy of Ashes contains a great deal of information. Mr. Weiner did his homework and then some. This book isn’t a real history because true historians try not to let their personal biases affect their thinking, which the author does. Also: after Richard Nixon the book gets sketchy. I’m assuming this is because a lot of the information has not yet been declassified (Mr. Weiner gets most of his information from primary documents from the CIA’s archives).

Still a good read.

Book review! The Day of Battle: The War in Sicily and Italy, 1943-1944.

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The Day of Battle is about the invasion of Italy in World War II. It took me almost a month to read, but it was worth it. The author’s attention to detail and his ability to sustain a narrative are impressive. The battle descriptions are clearly written and the characters (major & minor) are all well-drawn. Essential reading for military history buffs and lovers of good non-fiction.