This is a review of Marvel Masterworks Daredevil Volume Eighteen, written by Denny O’Neil and drawn by various artists. Read my reviews of Volumes One, Two, and Three here, here, and here. Why, you may ask, did I switch from Volume Three to Volume Eighteen? Well, the third volume of Daredevil was so bad I didn’t want to read the fourth. It happens, especially with 1960’s Marvel comics. For every classic issue of Spider-Man or The Fantastic Four, you have things like Matt’s imaginary twin brother Mike Murdock, evil landlord The Masked Marauder, and Daredevil trapped in a spaceship blasted into outer space by Electro. Not all old comics are good.
However, these comics are good! Aside from the art – which is inconsistent – this is a very underrated run. The meat of the volume is Daredevil’s archnemesis Bullseye being shanghaied to Japan by disgraced kamikaze Lord Dark Wind, where his broken bones are replaced with metal implants. Ole Hornhead follows the trail to Japan, where he meets Yuriko, daughter of Lord Dark Wind, who helps him out.
Yuriko has a tattoo on her face, mainly because her father is crazy. After the Daredevil arc, she becomes Lady Deathstrike, courtesy of X-Men scribe Chris Claremont. I guess Claremont rescues her from obscurity, but she goes from a fleshed-out character to a psychotic cybernetic killing machine. Maybe aliens reversed her brain, because now she’s the opposite of how Denny O’Neil wrote her. But such is comics – they giveth, and they taketh away.
This volume also contains a bunch of one-shot issues. My favorite storyline is when Daredevil’s ex Heather Glenn gets drunk and reveals his secret identity at a party. Oopsie. Turns out the guy she spills the beans to is both terminally ill and running a murder squad, which happens. The Black Widow reappears in Matt’s life, and we catch a glimpse of Micah Synn, the Kraven the Hunter wannabe who will make his life miserable in the next volume. And I almost forgot about the guest appearance by Wolverine, everyone’s favorite killing machine!
Not many people recall Denny O’Neil’s Daredevil run, mostly because it’s sandwiched between two Frank Miller runs, but this is good stuff. O’Neil edited Miller’s first Daredevil run, which utilizes serialized storylines – multiple issues featuring recurring characters and a vivid setting – and uses the same techniques himself. Think James Robinson’s Starman and Alan Moore’s Swamp Thing. Recommended, especially for Daredevil fans.




