Batman: Dark Victory

This is a review of Batman: Dark Victory, which is a direct sequel to Batman: The Long Halloween, reviewed here. Batman is younger in this graphic novel, but by the end of it he seems to have aged a hundred years. At the start of the story, Catwoman is flirting with him; by the end, he’s stepping on her neck. This is something I didn’t notice on my first read, years ago. The progression from Young Batman to mega-bleak Asshole Batman is depressing to behold.

Batman is a loner, but there are three people in this storyline he considers confiding to. The first, Harvey Dent, would have been an enormous mistake. From reading Long Halloween, it’s my opinion that Harvey was way off-kilter before getting the acid treatment. The second, Catwoman, is more interesting. Tom King played with this concept in his Batman run. The third is Dick Grayson, whose acrobat parents were murdered by mobsters in this very volume.

Bruce chooses to confide in Dick Grayson. My guess is that it’s partly because he empathizes with Dick’s anger and grief, and partly to keep Dick – who’s determined to solve his parents’ murders on his own – alive. I get that, but bringing a twelve or thirteen-year old into your war against crime (Dick Grayson is the first Robin) isn’t what a rational person does.

I’ve read a lot of Batman comics, and believe me Dick takes a beating. The second Robin, Jason Todd, was bludgeoned to death by a crowbar-wielding Joker, in a shameful 900-Number Scandal (call this number to vote if you want him to die!). They brought Jason back as the Red Hood, but when I read the original comic, he sure looked dead to me.

This doesn’t have much to do with the plot of Dark Victory, which is a lot easier to follow than The Long Halloween. Dark Victory lives up to its name, and includes one shock murder in the final act that I think is effective, because it knocks the magic pixie dust out of Batman’s eyes and shows that Dent is truly irredeemable.

Bottom line, this is one of the top ten Batman storylines I’ve ever read, but finish The Long Halloween first. Highly recommended.

Marvel Masterworks: Doctor Strange Volume One

  This is a review of Marvel Masterworks Doctor Strange Volume One. IMO, there are three classic Marvel titles to emerge from the early 1960’s. The first is Jack Kirby’s Fantastic Four, the second is Steve Ditko’s Spider-Man, and the third is Mr. Ditko’s Doctor Strange. I suppose you can also include Jack Kirby’s Captain America and SHIELD runs, which I believe took place in the same time period. The rest of the Marvel output from the early 1960’s is uneven (Daredevil and The Avengers), and some of it is just plain bad – early Thor and Iron Man were wretched.

Anyway, Doctor Strange is a standout. The reason for this is Steve Ditko, whose art for this series is bizarre, distinctive, and surreal. Besides the artwork, it wouldn’t surprise me if Ditko did much of the plotting, leaving Stan Lee to write the dialogue. I believe Steve Ditko to deserve the lion’s share of the credit for the quality of this title, but YMMV. The stories here range from five to twenty pages. The shorter stories are marvels of efficiency. Not a panel is wasted.

Doctor Strange lives in a mansion in Greenwich Village. He is Earth’s Sorcerer Supreme, a phrase that’s never really explained. The less said about his origin story – which is a take on a hoary old trope most people don’t use anymore – the better. Strange is written as an interesting mix of arrogance and humility – he will help anyone who asks, but there’s something that sets him apart from the rest of humanity. He’s not the type you’d like to have a drink with at a bar.

Doctor Strange’s foes include Baron Mordo, the Mindless Ones, and the Dread Dormammu. Strange has a cloak of levitation, and he can summon the all-seeing Eye of Agamotto and the Crimson Bands of Cytorrak. He’s a solitary figure, keeping to himself and not really fitting in with the rest of the Marvel Universe at that time. There’s an issue guest-starring Thor and also an issue where he shares the limelight with Spider-Man, but mostly the good doctor is a loner.

Highly recommended!

Green Lantern: The Silver Age Volume One

This is a review of Green Lantern: The Silver Age Volume One. For the most part, this is fun comic book science fiction. The writer introduces many characters and concepts – the Green Lantern Corps, Sinestro, Hector Hammond, The Weaponeers of Qward – and lays the groundwork for future stories here. There’s a story about a group of people who live underground hooked up to the Matrix – er, machines, but their minds wander about in a dream city.

Green Lantern is Hal Jordan, hotshot test pilot. He’s summoned to the spaceship of a dying alien, who gives him his power ring. This ring can manifest anything into existence, as long as you have enough willpower. I’m unsure what ‘willpower’ means in this context. Does it mean resisting second helpings or double desserts, or maybe holding it in when you have to use the bathroom? After reading this volume, I figured it means being decisive and quick-thinking, but what do I know?

Anyway, Hal becomes the equivalent of a cosmic cop. He fights evil with his power ring, which has a single vulnerability – it can’t affect the color yellow. Of course, Hal’s boss/love interest Carol Ferris falls in love with Green Lantern, while giving Hal the cold shoulder. BTW, Hal is the type of employee who gives Human Resource Departments migraines.

The episode I’ll always remember is when Green Lantern, trying to avoid Carol’s marriage proposal (it’s Leap Year, which means it’s okay for Carol to propose!), creates an enormous green monster with his power ring so he’ll have something to fight. When he bumps his head, the jolly green giant almost destroys the earth. Boy, they don’t make comics like that anymore!

My issue with this graphic novel has to do with Green Lantern’s sidekick, Thomas Kalmaku, who goes by a nickname that I will not use here. Thomas is written as a racial stereotype who’s used mostly for comic relief. Back then, people might have thought that was funny, but today it’s cringeworthy, and mars an otherwise good graphic novel.

Rom: The Original Marvel Years Omnibus Volume One

 This is part one of a review of Rom: The Original Marvel Years Omnibus Volume One. Because this is a longer graphic novel (thirty issues), I’m going to review it in two parts. One of my goals for the New Year is to read longer material. I started reviewing graphic novels in 2023 because at this point in my life I have trouble finishing longer books. Reading two issues per day isn’t a lot of work, but it’s additive. In 2023, I read and reviewed fifty-four graphic novels.

On to the review. Rom was a toy released by Parker Brothers in the late 1970’s. The toy company went to Marvel, who have written material for properties such as The Micronauts, Planet of the Apes, and G.I. Joe, for help in fleshing out the character. Writer Bill Mantlo and artist Sal Buscema filled in the blanks, and the rest is history.

Rom is a Spaceknight, hailing from the planet Galador, and he’s fighting a war against the evil Dire Wraiths. The Wraiths are shape-changers like Skrulls, but they depend on magic as much as science. They’re written as being evil with a capital ‘E.’ In one of the first issues, they shoot a dog. They let a man die on the operating table. You get the idea.

Rom – who has been pursuing the Dire Wraiths for two hundred years – crash lands on earth. He sets foot in West Virginia, and is almost run off the road by Brandy Clark, his future love interest. Rom uses his analyzer to determine that Brandy isn’t a Dire Wraith. When Brandy sees Rom seemingly kill humans, she’s a tad upset, but Rom explains to her that they are actually Dire Wraiths in disguise. He isn’t killing them, but banishing them to Limbo with his Neutralizer.

I am guessing the banishing to Limbo bit has to do with an edict Jim Shooter, the editor-in-chief of Marvel at the time, made about Marvel heroes not killing. This is used to great advantage here. Rom’s Neutralizer banishes the Dire Wraiths to Limbo, but to human eyes it looks like he’s killing human beings. All that’s left of the Dire Wraiths is a pile of ashes. Nobody believes Rom but Brandy and her boyfriend, Steve.

Rom, Brandy, and Steve soon become enmeshed in a bizarre love triangle. Rom is a cyborg; his nervous system has been bonded to his armor. This makes him very powerful, but since he’s partly human he’s also very, uh, lonely. Unfortunately, at this point he’s mostly robot. Rom soon falls in love with Brandy, who senses Rom’s noble spirit, and Steve doesn’t like any of it. Unlike Rom, Steve has a functioning penis, so you’d think there wouldn’t be much suspense as to how this love triangle ends, but appearances can be deceiving.

I stopped reading when Brandy is about to marry a Dire Wraith disguised as Steve, and Rom strides into the church. Sort of like that scene in The Graduate, except instead of Dustin Hoffman a eight-foot silver robot bursts into the church. Anyway, really good stuff. Highly recommended.

Part Two coming soon!